Abstract:
"Architecture, in anyone's definition of it, exists primarily to be at the service of the body".
((Gin and Arakawa 2002 xi) Architectural Body). The title for this thesis, The Architectural Body , is drawn from Gin and Arakawa's position
encapsulated in the opening quotation. The human body is the point of departure for this thesis
which reinforces the fact that the body is fundamental to any architectural situation. There are many
aspects to the human body, such as physicality, gender, race, feeling and thought. However, the
focus here is solely on the physical aspect of the body which has not been adequately researched or
documented in current architectural discourse. There is a need to rethink and reconfigure the
relationship and dialogue between the physical human body and its surrounding architectural
environment, in order to facilitate the body's ability to express fully its dynamic capacity and mobile
ability. Therefore, this thesis explores how architecture can enable, enhance and extend the physical
human body's capabilities. This question is the driver for the thesis as well as providing the structure
for the research and the design through the framework of ENABLE, ENHANCE and EXTEND.
The thesis first explores a historical concept of the body which looks at its physicality in design. In
particular, it argues for the relevance of, and opportunities afforded by, the historical physical body in
architecture, discussing contemporary perceptions of this model. Next, the thesis examines the
concepts of performativity, applying these to critique and examine contemporary ideas within flexible
architecture. Finally, the thesis investigates an architectural project designed specifically for the
physical body. Through a design process, the project explores how the body can become a catalyst
for design within an architectural setting. This is recognised by outlining a strategy for design which
is then tested and developed by the programme of a Changing Room for a single person. An
exploration of the physical body and its fluidity and mobility is portrayed through the creation of the
Changing Room's overall space and its architectural elements. The final outcome is a strategy for
design which creates an architecture that recognises and responds to the dynamic multiplicities of
the body; that is, it enables, enhances and extends.