Abstract:
The research investigates a time dating back to the New Zealand land wars of the mid-late 19th century. What emerged from such turbulent times were a people suffering from the disastrous effects of battle. For Maori people to survive under such circumstances, a re-alignment from traditional values in accordance with the new dominant culture was necessary - and was strongly reflected in the art and architecture of the meeting house. The formation of the Ringatu religious movement helped foster the evolving arts produced under such foreign conditions. The hypothesis "Ringatu Art - A revolutionary basis influencing the major work of a selection of contemporary Maori artists and architects" was found to be inconclusive. Firstly. 'Ringatu art' was found to be an inappropriate term for an art which was determined mainly by the surrounding conditions under which it was produced, and not the religion itself. The more appropriate term is 'Figurative art.' Most importantly however, whilst figurative art has no direct influence whatsoever upon these major works, it is very likely that its unprecedented innovation has provided the initial thrust towards a new school of thought which is being increasingly adopted by Maori people in the generations today. Therefore its influences are indirect.
