Abstract:
Recent historical criticism seems to have divided the 1960's into two possible paradigms. One maintains that the 1960's was entirely populated by two politically opposed factions, the 'Hippies' and the 'Straights,' which, over time, has come to represent something of a status quo. The other appears to be a revisionist exercise, maintaining that the 1960's were a period of apolitical cultural upheaval with no political principles or involvement. Arthur Marwick, The Sixties (Oxford: Oxford University Press, 1998), p. 9. One of the features of Godard's filmmaking practice that this thesis will attempt to illustrate, is Godard's far from apolitical motivations, his acknowledgement and understanding of past revolutionary movements, and his obvious celebration of contemporary 'left-wing' political events illustrated throughout his work in 1968.
