Abstract:
To date, To Papa Tongarewa, the Museum of New Zealand, has received a lot of criticism relating to its spatial and conceptual success. This report intends to investigate the use motifs that give 'Our Place' its visual distinction. In examining the translation of these signs, whether Pasifika Maori or Pakeha, into modern architecture, I have considered the issues surrounding cultural appropriation.
This work is an evaluation of specific elements of Te Papa, in which there are two forms that dominate the architectural vocabulary: the triangle and the shallow curve. These and other symbols evoke 'the Pacific' at Te Papa, but suggest a conscious design effort not to flavour a western building with Maori designs.
Considering the context of our national museum, this research attempts to draw more culturally specific interpretations from the motifs in question. Interpretations which may collectively offer a position regarding biculturalism at Te Papa and the physical constructions of our national identity.
