Abstract:
Where do indigenous tourism attractions come from? Is there a recognisable process by which they evolve from idea to reality? Do similarities exist within the establishment processes that are shared by different Maori tourism attractions? If common factors are identifiable, could they reveal patterns of desirable and undesirable conditions or relationships within the establishment of a Maori tourism attraction? Which combination of participants and processes would most benefit the establishment process? How might these combinations affect the final attraction?
Thesis objective
This thesis seeks to identify and explain important participants and processes, and the key relationships, during the establishment of a Maori tourism attraction. The identifying of boundaries is a crucial factor in clearly identifying participants, and their interaction in the processes that shape the attractions.
