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Multicultural Encounters in Music Therapy in New Zealand: What Particular Clinical Experiences Do NZ Music Therapists Describe When Encountering Clients Who Identify Closely with a Culture Different from Their Own?

dc.contributor.authorChoi, Hee Chan
dc.date.accessioned2011-12-13T21:29:20Z
dc.date.accessioned2022-10-31T22:07:59Z
dc.date.available2011-12-13T21:29:20Z
dc.date.available2022-10-31T22:07:59Z
dc.date.copyright2008
dc.date.issued2008
dc.description.abstractThis qualitative study investigates how music therapists work within a culturally diverse environment in New Zealand and the researcher's own growing experience as a student clinician. This research endeavoured to answer two research questions. Firstly, what do music therapists in New Zealand perceive from their experience of working with clients from different culture? Secondly, how does my own experience as a second generation Korean MTS affect my clinical work in a multicultural environment in New Zealand? This study applied aspects of qualitative research. Four qualified New Zealand music therapists and the researcher herself participated in this study. Data was collected from the interviews with the music therapy participants, the music therapy student's reflection on case notes from two clinical cases, and a research journal. Music therapists identified various issues that associated with their experiences of working cross culturally. The main areas of key ideas were categorized under: 1) cultural considerations 2) preconceptions 3) building a communicative bridge 4) clinical competency 5) different approaches 6) culturally appropriate practice. The ideas under these categories have crystallized to articulate the different voices of participants for the benefit of the knowledge in the existing literatures and for the enhancement of personal tools towards self awareness and culturally appropriate clinical practice. From the overview of all the participants consulted in this study it was concluded that recognition of the importance of self awareness was one of the most significant factors in building culturally appropriate practice in a multicultural environment.en_NZ
dc.formatpdfen_NZ
dc.identifier.urihttps://ir.wgtn.ac.nz/handle/123456789/27183
dc.languageen_NZ
dc.language.isoen_NZ
dc.publisherTe Herenga Waka—Victoria University of Wellingtonen_NZ
dc.rights.holderAll rights, except those explicitly waived, are held by the Authoren_NZ
dc.rights.licenseAuthor Retains Copyrighten_NZ
dc.rights.urihttps://www.wgtn.ac.nz/library/about-us/policies-and-strategies/copyright-for-the-researcharchive
dc.subjectMusic in intercultural communicationen_NZ
dc.subjectMusic therapyen_NZ
dc.subjectCross-cultural studiesen_NZ
dc.titleMulticultural Encounters in Music Therapy in New Zealand: What Particular Clinical Experiences Do NZ Music Therapists Describe When Encountering Clients Who Identify Closely with a Culture Different from Their Own?en_NZ
dc.typeTexten_NZ
thesis.degree.disciplineMusic Therapyen_NZ
thesis.degree.grantorTe Herenga Waka—Victoria University of Wellingtonen_NZ
thesis.degree.levelMastersen_NZ
thesis.degree.nameMaster of Music Therapyen_NZ
vuwschema.contributor.unitNew Zealand School of Musicen_NZ
vuwschema.type.vuwAwarded Research Masters Thesisen_NZ

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