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Procreativity, gender, and the making of architecture

dc.contributor.authorCarter, Pamela
dc.date.accessioned2012-01-19T22:51:40Z
dc.date.accessioned2022-10-31T23:54:40Z
dc.date.available2012-01-19T22:51:40Z
dc.date.available2022-10-31T23:54:40Z
dc.date.copyright1995
dc.date.issued1995
dc.description.abstractTraditionally creativity has been culturally associated with men, and procreativity with women. This separation has resulted in the exclusion of women from fields such as architecture. By addressing three architectural partnerships, Marion Mahony and Walter Burley Griffin, Ray and Charles Eames, and Diana Agrest and Mario Gandelsonas, I will reassert women as creators (as well as procreators). This process also involves redefining the canonical understanding of architecture, as exclusively and ultimately buildings. The boundaries of architecture are questioned, and opened to include the previously 'feminine' and marginalised - drawing, colour, decoration, interior, theory ... The inclusion of the Other enriches architecture, and unravels a world of possibility ...en_NZ
dc.formatpdfen_NZ
dc.identifier.urihttps://ir.wgtn.ac.nz/handle/123456789/27364
dc.languageen_NZ
dc.language.isoen_NZ
dc.publisherTe Herenga Waka—Victoria University of Wellingtonen_NZ
dc.subjectArchitecture and women
dc.subjectWomen architects
dc.subjectArchitecture philosophy
dc.titleProcreativity, gender, and the making of architectureen_NZ
dc.typeTexten_NZ
thesis.degree.disciplineArchitectureen_NZ
thesis.degree.grantorTe Herenga Waka—Victoria University of Wellingtonen_NZ
thesis.degree.levelMastersen_NZ
vuwschema.contributor.unitSchool of Architectureen_NZ
vuwschema.type.vuwAwarded Research Masters Thesisen_NZ

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