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Two Modes of Understanding Art

dc.contributor.authorLindsay, Anne Fiona
dc.date.accessioned2008-07-29T03:03:37Z
dc.date.accessioned2022-10-25T02:43:21Z
dc.date.available2008-07-29T03:03:37Z
dc.date.available2022-10-25T02:43:21Z
dc.date.copyright1988
dc.date.issued1988
dc.description.abstractMarx's thoughts on art are well known. Or are they? To be sure it is commonly enough believed that Marx showed us that there is an obvious correlation or direct communicatio between development of the productive forces of society and development in the arts and hence that artistic activity is reducible to economic productive behaviour. On the basis of this it is also believe that Marx claimed that there is a direct connection between the economic structure of capitalism with its direct ideological effects (e.g. alienated labour, commodity fetishism, illusions of equality and freedom, inversion of subject/object etc) on the one hand and works of art on the other.en_NZ
dc.identifier.urihttps://ir.wgtn.ac.nz/handle/123456789/22938
dc.languageen_NZ
dc.language.isoen_NZ
dc.publisherTe Herenga Waka—Victoria University of Wellingtonen_NZ
dc.subjectAestheticsen_NZ
dc.subjectRealism in arten_NZ
dc.subjectSubjectivity in arten_NZ
dc.titleTwo Modes of Understanding Arten_NZ
dc.typeTexten_NZ
thesis.degree.disciplinePhilosophyen_NZ
thesis.degree.grantorTe Herenga Waka—Victoria University of Wellingtonen_NZ
thesis.degree.levelDoctoralen_NZ
thesis.degree.nameDoctor of Philosophyen_NZ
vuwschema.type.vuwAwarded Doctoral Thesisen_NZ

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