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Necropolis reborn: The Cemetery of Contradiction

dc.contributor.advisorCampays, Philippe
dc.contributor.authorHughes, Nigel
dc.date.accessioned2012-12-09T19:57:24Z
dc.date.accessioned2022-11-01T23:44:24Z
dc.date.available2012-12-09T19:57:24Z
dc.date.available2022-11-01T23:44:24Z
dc.date.copyright2012
dc.date.issued2012
dc.description.abstractWith modern approaches to the memorialisation of death becoming detached from both society and the city, the cemetery has been diminished, both in design and atmospheric resonance. As a result, the significance of the urban environment has suffered along with it. By breaking the trend to push cemeteries further to the city periphery, and re-establish them back in the urban setting, this thesis aims to re-engage the living and the dead. The design of a new cemetery in Christchurch presents an opportunity to re-evaluate the ways in which contemporary society commemorates the dead while simultaneously contemplating their mortality. Architecture has the potential to establish a contemporary shift in the environment in which the dead are memorialised, creating a new necropolis amongst the current metropolis. This thesis is a provocation. It proposes that the city and its residents can benefi t from having, and celebrating, a physical manifestation of the dead within the urban domain. At a macro level there is the intention to re-urbanise and centralise the place of the dead. At a micro level, the place of the dead is to be architecturalised to provoke a more meaningful spatial interaction for the individual and the collective, with the dead residents of the city. While there are urban and landscape design considerations within this thesis, the main focus is on the architectural possibilities of a contemporary urban place for the dead. Tensions and contradictions that latently exist within the cemetery are highlighted and formally explored through the design process. These include exploring the idea of formal absence and presence, looking at how the ground plane is a mediator between what anthropologists term ‘life space’ and ‘burial space’, and investigating the nature of history and memory in a site that simultaneously looks back and projects forward. Combined, these elements endeavour to provide a framework in which society members understand their individual mortality, and as a result, a collective existenceen_NZ
dc.formatpdfen_NZ
dc.identifier.urihttps://ir.wgtn.ac.nz/handle/123456789/28209
dc.languageen_NZ
dc.language.isoen_NZ
dc.publisherTe Herenga Waka—Victoria University of Wellingtonen_NZ
dc.rightsAccess is restricted to staff and students only. For information please contact the library.en_NZ
dc.rights.holderAll rights, except those explicitly waived, are held by the Authoren_NZ
dc.rights.licenseAuthor Retains Copyrighten_NZ
dc.rights.urihttps://www.wgtn.ac.nz/library/about-us/policies-and-strategies/copyright-for-the-researcharchive
dc.subjectCemeteryen_NZ
dc.subjectMemorialen_NZ
dc.subjectMortalityen_NZ
dc.titleNecropolis reborn: The Cemetery of Contradictionen_NZ
dc.typeTexten_NZ
thesis.degree.disciplineArchitectureen_NZ
thesis.degree.grantorTe Herenga Waka—Victoria University of Wellingtonen_NZ
thesis.degree.levelMastersen_NZ
thesis.degree.nameMaster of Architecture (Professional)en_NZ
vuwschema.contributor.unitSchool of Architectureen_NZ
vuwschema.subject.marsden310101 Architectureen_NZ
vuwschema.type.vuwAwarded Research Masters Thesisen_NZ

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