Nostalgia for intimacy

dc.contributor.author	Leonard, Robert
dc.date.accessioned	2016-08-18T21:02:21Z
dc.date.accessioned	2022-11-03T19:29:38Z
dc.date.available	2016-08-18T21:02:21Z
dc.date.available	2022-11-03T19:29:38Z
dc.date.copyright	2012
dc.date.issued	2012
dc.identifier.uri	https://ir.wgtn.ac.nz/handle/123456789/29955
dc.description.abstract	This essay, the edited text of a lecture by Robert Leonard, offers a personal and pointed account of the character of the New Zealand art scene from the 1970s to the 1990s. Basing his analysis on first hand engagement as one of this country's foremost curators and commentators, Leonard situates this period within the continuum of New Zealand art history to track a shift from nationalist to post-nationalist positions, using the notion of 'intimacy' rather than 'distance' as his discursive frame.	en_NZ
dc.format	pdf	en_NZ
dc.language	en_NZ
dc.language.iso	en_NZ
dc.publisher	Te Herenga Waka—Victoria University of Wellington	en_NZ
dc.relation.ispartofseries	Gordon H. Brown lecture 10	en_NZ
dc.subject	Art	en_NZ
dc.subject	New Zealand	en_NZ
dc.subject	History	en_NZ
dc.title	Nostalgia for intimacy	en_NZ
dc.type	Text	en_NZ
vuwschema.contributor.unit	School of Art History, Classics and Religious Studies / Te Kura Toirangi	en_NZ
vuwschema.contributor.unit	Faculty of Humanities and Social Sciences / Te Wāhanga Aronui	en_NZ
vuwschema.type.vuw	Working or Occasional Paper	en_NZ
thesis.degree.grantor	Te Herenga Waka—Victoria University of Wellington	en_NZ
thesis.degree.level	Masters	en_NZ

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