dc.contributor.author |
Brown, Deidre |
|
dc.contributor.author |
Ellis, Ngarino |
|
dc.contributor.author |
Mane-Wheoki, Jonathan |
|
dc.date.accessioned |
2016-07-29T03:18:10Z |
|
dc.date.accessioned |
2022-11-03T19:24:53Z |
|
dc.date.available |
2016-07-29T03:18:10Z |
|
dc.date.available |
2022-11-03T19:24:53Z |
|
dc.date.copyright |
[2014] |
|
dc.date.issued |
[2014] |
|
dc.identifier.uri |
https://ir.wgtn.ac.nz/handle/123456789/29946 |
|
dc.description.abstract |
This essay, the edited text of a lecture presented by Deidre Brown and Ngarino Ellis and written by these two authors in collaboration with Jonathan Mane-Wheoki, outlines a methodological approach to their larger project: the writing of a Maori history of Maori art. In 2013 these three scholars began a three-year Marsden-funded project entitled 'Toi Te Mana: A History of Indigenous Art from Aotearoa New Zealand'. The present publication points towards that much larger study. Sadly, Jonathan Mane-Wheoki died as this text was being prepared; it stands as a tribute to his many years of work towards its ambitions. |
en_NZ |
dc.format |
pdf |
en_NZ |
dc.language |
en_NZ |
|
dc.language.iso |
en_NZ |
|
dc.publisher |
Te Herenga Waka—Victoria University of Wellington |
en_NZ |
dc.relation.ispartofseries |
Gordon H. Brown lecture 12 |
en_NZ |
dc.subject |
Art, Maori—Historiography |
en_NZ |
dc.subject |
Art--History |
en_NZ |
dc.subject |
Mahi toi |
en_NZ |
dc.title |
Does Māori art history matter? |
en_NZ |
dc.type |
text |
en_NZ |
vuwschema.contributor.unit |
School of Art History, Classics and Religious Studies / Te Kura Toirangi |
en_NZ |
vuwschema.contributor.unit |
Faculty of Humanities and Social Sciences / Te Wāhanga Aronui |
en_NZ |
vuwschema.type.vuw |
Working or Occasional Paper |
en_NZ |
thesis.degree.grantor |
Te Herenga Waka—Victoria University of Wellington |
en_NZ |
thesis.degree.level |
Masters |
en_NZ |