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Aqueous aesthetics : an art history of change

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dc.contributor.author Gibson, Ross
dc.date.accessioned 2016-07-29T03:18:09Z
dc.date.accessioned 2022-11-03T19:24:25Z
dc.date.available 2016-07-29T03:18:09Z
dc.date.available 2022-11-03T19:24:25Z
dc.date.copyright [2013]
dc.date.issued [2013]
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/29945
dc.description.abstract This essay, the edited text of a lecture by Ross Gibson, demonstrates what its author calls an "aqueous aesthetics", and in the process calls for an art history that "records, analyses and theorises how creativity proceeds in a world that is suffused with fluidity". The structure and language of Gibson's text embodies this fluidity, as do the various objects—art works, music, literature, chance encounters, anecdotes—he incorporates as his examples. Adopting a voice at once personal and learned, Gibson proposes a mode of history writing different in kind from that usually encountered in books about art, a writing that is multidisciplinary in its range of interests and transnational in its scope. en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.relation.ispartofseries Gordon H. Brown lecture 11 en_NZ
dc.subject Art—History en_NZ
dc.subject Art--New Zealand—History en_NZ
dc.title Aqueous aesthetics : an art history of change en_NZ
dc.type text en_NZ
vuwschema.contributor.unit School of Art History, Classics and Religious Studies / Te Kura Toirangi en_NZ
vuwschema.contributor.unit Faculty of Humanities and Social Sciences / Te Wāhanga Aronui en_NZ
vuwschema.type.vuw Working or Occasional Paper en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.level Masters en_NZ


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