dc.contributor.author |
Goldson, Annie |
|
dc.date.accessioned |
2016-07-29T03:18:05Z |
|
dc.date.accessioned |
2022-11-03T19:21:36Z |
|
dc.date.available |
2016-07-29T03:18:05Z |
|
dc.date.available |
2022-11-03T19:21:36Z |
|
dc.date.copyright |
2006 |
|
dc.date.issued |
2006 |
|
dc.identifier.uri |
https://ir.wgtn.ac.nz/handle/123456789/29939 |
|
dc.description.abstract |
This essay, the revised text of a lecture by Annie Goldson, is an extended account of her experimental documentary Wake (1994). It was delivered on 24 November 2005 at the City Gallery in Wellington. It is the fourth in Victoria University's Art History Lecture Series, and the third to be delivered as the Gordon H. Brown Lecture. |
en_NZ |
dc.format |
pdf |
en_NZ |
dc.language |
en_NZ |
|
dc.language.iso |
en_NZ |
|
dc.publisher |
Te Herenga Waka—Victoria University of Wellington |
en_NZ |
dc.relation.ispartofseries |
Gordon H. Brown lecture 04 |
en_NZ |
dc.subject |
Goldson, Annie |
en_NZ |
dc.subject |
Wake |
en_NZ |
dc.subject |
Documentary films--Production and direction--New Zealand |
en_NZ |
dc.subject |
Immigrants--New Zealand |
en_NZ |
dc.subject |
New Zealand--Emigration and immigration |
en_NZ |
dc.subject |
New Zealand--Race relations |
en_NZ |
dc.title |
Memory, landscape, Dad & me |
en_NZ |
dc.type |
text |
en_NZ |
vuwschema.contributor.unit |
School of Art History, Classics and Religious Studies / Te Kura Toirangi |
en_NZ |
vuwschema.contributor.unit |
Faculty of Humanities and Social Sciences / Te Wāhanga Aronui |
en_NZ |
vuwschema.type.vuw |
Working or Occasional Paper |
en_NZ |
thesis.degree.grantor |
Te Herenga Waka—Victoria University of Wellington |
en_NZ |
thesis.degree.level |
Masters |
en_NZ |