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"Shaking His Hairy Chaps": The Iconography of Bearded Snakes

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dc.rights.license Author Retains All Rights en_NZ
dc.contributor.advisor Burton, Diana
dc.contributor.author Murdoch, Jaimee
dc.date.accessioned 2015-08-24T00:42:18Z
dc.date.accessioned 2022-11-03T03:01:46Z
dc.date.available 2015-08-24T00:42:18Z
dc.date.available 2022-11-03T03:01:46Z
dc.date.copyright 2015
dc.date.issued 2015
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/29709
dc.description.abstract The bearded snake is an unusual motif that appears in a variety of contexts and media throughout the Classical world. It is used in Greek, Etruscan, Roman, and Egyptian art and literature. This thesis addresses the Greek use of the bearded snake. The beard of the snake, much like the beard of a human figure, varies in terms of its size, shape, and level of detailing. It may be a simple single line or a series of long, clearly defined hairs. The use of this human feature on serpents has received minimal attention. When the motif is discussed it is generally only considered in terms of its use in one context, such as on depictions of Zeus Meilichios or on the Lakonian hero reliefs. The aim of this thesis is to discuss the use of the bearded snake in the most common contexts in which it may occur in order to provide a better understanding of the meaning of this unusual motif. Such contexts include anguiform deities, pure serpents, hybrid creatures, and attributes of monsters and deities. Two of the more influential explanations of the use of the beard are those by Aelian, from the third century AD, and Jane Harrison, from 1903. These interpretations consider the bearded snake in slightly different terms. Where Aelian believes the beard to indicate a male serpent, Harrison considers the feature to be a means through which the snake is implied to be an anthropomorphic deity. Chapter One provides the background interpretations of the snake and the beard as distinct motifs. The findings from this chapter will form the basis for the interpretations given in Chapters Two and Three. Chapter Two considers the flaws of Aelian’s explanation of the beard as an indicator of gender, by looking at the use of the beard in the context of divine and monstrous women such as Medusa and Athena. Chapter Three addresses Harrison’s anthropomorphic argument, by considering both anguiform and non-anguiform figures. This will provide a wider range of contexts than either Aelian or Harrison discuss. In doing so, I intend to consider the meaning of the bearded snake using a considerably larger range of sources, in order to give the best possible explanation for this unusual motif. en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.rights Access is restricted to staff and students only until 09/2017. For information please contact the Library. en_NZ
dc.subject Bearded snake en_NZ
dc.subject Zeus Meilichios en_NZ
dc.subject Greek iconography en_NZ
dc.title "Shaking His Hairy Chaps": The Iconography of Bearded Snakes en_NZ
dc.type Text en_NZ
dc.date.updated 2015-08-19T02:14:28Z
vuwschema.contributor.unit School of Art History, Classics and Religious Studies en_NZ
vuwschema.subject.anzsrcfor 190199 Art Theory and Criticism not elsewhere classified en_NZ
vuwschema.subject.anzsrcfor 210306 Classical Greek and Roman History en_NZ
vuwschema.subject.anzsrctoa 1 PURE BASIC RESEARCH en_NZ
vuwschema.type.vuw Awarded Research Masters Thesis en_NZ
thesis.degree.discipline Classical Studies en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.level Masters en_NZ
thesis.degree.name Master of Arts en_NZ


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