DSpace Repository

Procreativity, gender, and the making of architecture

Show simple item record

dc.contributor.author Carter, Pamela
dc.date.accessioned 2012-01-19T22:51:40Z
dc.date.accessioned 2022-10-31T23:54:40Z
dc.date.available 2012-01-19T22:51:40Z
dc.date.available 2022-10-31T23:54:40Z
dc.date.copyright 1995
dc.date.issued 1995
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/27364
dc.description.abstract Traditionally creativity has been culturally associated with men, and procreativity with women. This separation has resulted in the exclusion of women from fields such as architecture. By addressing three architectural partnerships, Marion Mahony and Walter Burley Griffin, Ray and Charles Eames, and Diana Agrest and Mario Gandelsonas, I will reassert women as creators (as well as procreators). This process also involves redefining the canonical understanding of architecture, as exclusively and ultimately buildings. The boundaries of architecture are questioned, and opened to include the previously 'feminine' and marginalised - drawing, colour, decoration, interior, theory ... The inclusion of the Other enriches architecture, and unravels a world of possibility ... en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.title Procreativity, gender, and the making of architecture en_NZ
dc.type Text en_NZ
vuwschema.type.vuw Awarded Research Masters Thesis en_NZ
thesis.degree.discipline Architecture en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.level Masters en_NZ


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Browse

My Account