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Crossing the Threshold between Spatial Installation Art and Interior Architecture

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dc.contributor.advisor Brown, Daniel K.
dc.contributor.author Wiki, Caley
dc.date.accessioned 2011-11-17T18:59:19Z
dc.date.accessioned 2022-10-31T21:04:00Z
dc.date.available 2011-11-17T18:59:19Z
dc.date.available 2022-10-31T21:04:00Z
dc.date.copyright 2011
dc.date.issued 2011
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/27044
dc.description.abstract This thesis explores opportunities to challenge how the nature of spatial installation art might be conceived within the medium of habitable architecture. It explores how spatial installation can take a shift in spatial qualities from space that is occupied to space that is inhabited. It focuses specifically on precedents and opportunities for the use of architectural vocabulary along with materiality, context, ordering systems, and identities to engage the occupant with spatial experience that challenges the boundaries between art and interior architecture. The intent of this thesis is to investigate how such vocabularies can be applied to interior architecture in order to formulate architectural space that society actively interacts in and through. The macro approach embraces multi - functionality allowing freedom for the space to metamorphose when confronted with a new set of social demands by the inhabitant without the space actually needing to physically change. The thesis investigates the threshold between the realms of conceptual spatial art and programmed habitable architectural space. It examines how an ‘installation’ can respond to multiple programmatic requirements and the requirements of habitation, as a means of redefining our presumptions of interior architecture. This thesis investigates the liminal boundaries defining a construction as a work of architecture versus a work of art by considering interior architecture as a vital transition between architecture and art. As a site for this investigation the thesis explores ‘interior architecture’ opportunities along a pedestrian pathway in Wellington, one which is spatially contained by urban buildings on either side. The selection of this site for an investigation of interior architecture immediately challenges traditional presumptive boundaries between interior architecture, architecture, landscape architecture and urban planning. Such a site provides a critical vehicle for investigating the nature of program and habitability within a constructed installation space that crosses the boundaries into architecture. en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.subject Design en_NZ
dc.subject Interior en_NZ
dc.subject Space en_NZ
dc.title Crossing the Threshold between Spatial Installation Art and Interior Architecture en_NZ
dc.type Text en_NZ
vuwschema.contributor.unit School of Architecture en_NZ
vuwschema.subject.marsden 310106 Interior and Environmental Design en_NZ
vuwschema.type.vuw Awarded Research Masters Thesis en_NZ
thesis.degree.discipline Interior Architecture en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.level Masters en_NZ
thesis.degree.name Master of Interior Architecture en_NZ


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