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Stained glass for contemporary architecture: a discussion on stained glass in architecture

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dc.contributor.author Lee, Paul
dc.date.accessioned 2011-10-10T22:17:18Z
dc.date.accessioned 2022-10-31T01:43:55Z
dc.date.available 2011-10-10T22:17:18Z
dc.date.available 2022-10-31T01:43:55Z
dc.date.copyright 1987
dc.date.issued 1987
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/26743
dc.description.abstract As a material, glass is a symbolic mystical substance that once was considered precious. This frozen liquid of solid transparency has a paradoxical nature that fascinates people by the various forms it appears in. Throughout time historians portray a prevalent Zeitgeist. "The trend of thought and feeling in a period of history." (Collins, 1981) For this spirit of an age, has been demonstrated in the vertical aspiration of the ecclesiastical builders of the Gothic age, to the principles of Le Corbusier's "machine a habiter." Together this special material with an architectural or artistic expression, has, conveyed the language of medievil and modern stained glass. When stained glass, an amalgamation of coloured or diffuse glass and lead line occures in architecture, qualities reveal physical patterns symbolising abstraction, a process, and a representation of the surrounding environment. Often the overall impact is enhanced by the interaction between the glass and the building structure. Its relevance in conveying a message or mood can often develop an exciting and visually stimulating experience. en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.title Stained glass for contemporary architecture: a discussion on stained glass in architecture en_NZ
dc.type Text en_NZ
vuwschema.type.vuw Bachelors Research Paper or Project en_NZ
thesis.degree.discipline Architecture en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.name Bachelor Of Architecture en_NZ


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