Seeding and blooming: Steiner's supersensible nature of art

dc.contributor.author	Schollum, Susan
dc.date.accessioned	2011-10-10T22:15:56Z
dc.date.accessioned	2022-10-31T01:20:33Z
dc.date.available	2011-10-10T22:15:56Z
dc.date.available	2022-10-31T01:20:33Z
dc.date.copyright	1989
dc.date.issued	1989
dc.identifier.uri	https://ir.wgtn.ac.nz/handle/123456789/26691
dc.description.abstract	Rudolf Steiner (1861-1925) believed that forms, spaces, colours and flow of line have a very powerful influence on the user of a building and can either help or hinder them in their personal development. He saw it something natural that the supporting forces in nature, movement, sculptural form and metamorphosis, should also be the principles of architecture. This report discusses these ideas and the buildings Steiner designed.	en_NZ
dc.format	pdf	en_NZ
dc.language	en_NZ
dc.language.iso	en_NZ
dc.publisher	Te Herenga Waka—Victoria University of Wellington	en_NZ
dc.title	Seeding and blooming: Steiner's supersensible nature of art	en_NZ
dc.type	Text	en_NZ
vuwschema.type.vuw	Bachelors Research Paper or Project	en_NZ
thesis.degree.discipline	Architecture	en_NZ
thesis.degree.grantor	Te Herenga Waka—Victoria University of Wellington	en_NZ
thesis.degree.name	Bachelor Of Architecture	en_NZ

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