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Colour for New Zealand architecture

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dc.contributor.author Allardice, Pamela
dc.date.accessioned 2011-10-10T22:15:28Z
dc.date.accessioned 2022-10-31T01:11:27Z
dc.date.available 2011-10-10T22:15:28Z
dc.date.available 2022-10-31T01:11:27Z
dc.date.copyright 1984
dc.date.issued 1984
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/26671
dc.description.abstract Our coloured world is seen through filters of perception and culture and controlled by the lighting and the context within which we see it. Colour has an intricate language of its own, assimilated on many levels, that aesthetically and emotionally stimulates the viewer. Four factors describe the phenomenon of colour: the light, the object, the eye and the brain and it is this fourth factor that controls the response to what is seen. Each persons perception of colour is different but an area of common ground must be found free from descriptive names. Using Munsells numerical identification notation, a framework has been built which presents an integral range of colours and the means to co-ordinate them. Selected architects were asked to explain the roles colour played in their design philosophies, the influences on the development and use of this philosophy, and the rationale behind the colour choices in their recent work. Comments were also noted on the place they felt colour had in their architecture. Their responses illustrate the immense range of chromatic associations available and gives examples of how colour can be used as a powerful tool to enhance and explain architectural space. en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.title Colour for New Zealand architecture en_NZ
dc.type Text en_NZ
vuwschema.type.vuw Bachelors Research Paper or Project en_NZ
thesis.degree.discipline Architecture en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.name Bachelor Of Architecture en_NZ


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