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dc.contributor.author Mullin, Colette
dc.date.accessioned 2011-10-10T22:14:57Z
dc.date.accessioned 2022-10-31T01:03:35Z
dc.date.available 2011-10-10T22:14:57Z
dc.date.available 2022-10-31T01:03:35Z
dc.date.copyright en_NZ
dc.date.copyright 2011
dc.date.issued 2011
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/26654
dc.description.abstract This study has had as a focus the hypothesis that a fashion boutique is a site of contemporary theatre. The first part of the report examined the relationships of theatre, fashion, and culture. The second part of the report examined specific retail boutiques, with regard to the relations explored in part one. Topics examined were the mise en scène, delight, the role of director, image, scenery, prop, and costume. The sites of study were examples of retail architecture by Eva Jiricna, Rei Kawakubo in conjunction with Tokao Kawasaki, and Nigel Coates. Although all are fashion boutiques, these sites employ divergent architectural styles to achieve the same ends. It was concluded that the hypothesis could be applied to two of the three examples. The Architecture of Nigel Coates was not considered theatrical, because it did not rely on the mise en scène to affect the unconscious. en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.title Consumer acts en_NZ
dc.type Text en_NZ
vuwschema.type.vuw Bachelors Research Paper or Project en_NZ
thesis.degree.discipline Architecture en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.name Bachelor Of Architecture en_NZ


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