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Part One: Folio of Compositions

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dc.contributor.author Brownlee, Philip
dc.date.accessioned 2008-08-11T03:32:51Z
dc.date.accessioned 2022-10-30T19:01:30Z
dc.date.available 2008-08-11T03:32:51Z
dc.date.available 2022-10-30T19:01:30Z
dc.date.copyright 2007
dc.date.issued 2007
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/25936
dc.description.abstract The folio consists of five pieces which are linked by common technical concerns. Two acousmatic pieces, Cat, Dog Pie, and Ex machine, elaborate musical structures around concrete sound recordings. In the remaining pieces, instrumental sound materials are treated in an analogous fashion, with the emphasis on the intrinsic qualities of the sounds. In Sinew/synapse, for solo cello, the materials are roughly congruent with various performance techniques; Written on the Wind, and Running Water for string quartet, extends the treatment to more complex composite sound objects; and Sparks Among the Geysers, for ensemble, expands this further, to a greater diversity of sources. en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.title Part One: Folio of Compositions en_NZ
dc.type Text en_NZ
vuwschema.type.vuw Awarded Doctoral Thesis en_NZ
thesis.degree.discipline Composition en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.level Doctoral en_NZ
thesis.degree.name Doctor of Philosophy en_NZ

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