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Evolving materiality in the Japanese ethos

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dc.contributor.author Carter, Michael
dc.date.accessioned 2011-07-04T00:12:05Z
dc.date.accessioned 2022-10-26T23:49:00Z
dc.date.available 2011-07-04T00:12:05Z
dc.date.available 2022-10-26T23:49:00Z
dc.date.copyright 1992
dc.date.issued 1992
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/25222
dc.description.abstract This report seeks to look at the way Tadao Ando articulates traditional Japanese religious, cultural and aesthetic concerns through the use of concrete in his architecture. It shows how the mystical nature of traditional architecture has its very essence rooted in the religion and culture of the Japanese people, it continues in an observation of the introduction of concrete to Japan and the growing use of this material throughout this century and some of the political, economic, social and theoretical stimuli that have given rise to the architectural environment in which Ando currently works. en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.title Evolving materiality in the Japanese ethos en_NZ
dc.type Text en_NZ
vuwschema.type.vuw Bachelors Research Paper or Project en_NZ
thesis.degree.discipline Architecture en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.name Bachelor Of Architecture en_NZ


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