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The great Highland bagpipe: extended techniques and their musical potential

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dc.contributor.author Cummings, Timothy James
dc.date.accessioned 2011-06-16T02:43:49Z
dc.date.accessioned 2022-10-26T20:15:26Z
dc.date.available 2011-06-16T02:43:49Z
dc.date.available 2022-10-26T20:15:26Z
dc.date.copyright 2002
dc.date.issued 2002
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/24810
dc.description.abstract The primary purpose of this thesis is to explore new expressive possibilities for the Great Highland bagpipe, thus providing a resource for composers. Bagpipers may also be stimulated to venture beyond the confines of the conservative bagpiping tradition. In order to provide a context for these innovations, this work describes first the traditions of the Great Highland bagpipe and its culture. A selection of new compositions, including my own, is included to show how these 'extended techniques' can be used musically. Also included are brief discussions on the use of the Great Highland bagpipe in other musical genres. This thesis comprises six parts: Part One: Traditional Highland Bagpiping Part Two: Recent Musical Trends Part Three: Extended Techniques Part Four: New Compositions Part Five: Bagpipes in Other Musical Genres Part Six: Concluding Tips for Composers en_NZ
dc.format pdf en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.title The great Highland bagpipe: extended techniques and their musical potential en_NZ
dc.type Text en_NZ
vuwschema.type.vuw Awarded Research Masters Thesis en_NZ
thesis.degree.discipline Musicology en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.level Masters en_NZ


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