Abstract:
Malcolm Ross (1948-2003) was a sculptor, painter, photographer, cartoonist and historian who operated at one remove from the art world for the entirety of his career. As a consequence, almost no analysis, criticism or writing on his work exists, and his place within this country's history of art has subsequently been overlooked. This thesis seeks to give art historical and analytical attention to Ross's oeuvre, arguing for his status as one of New Zealand's key conceptual practitioners. It traces the thematic threads which recur throughout his work and argues that the diverse range of artistic and historic investigations he undertook are ultimately unified within his archive at the E.H. McCormick Research Library, Auckland Art Gallery Toi O Tamaki.
