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Two Modes of Understanding Art

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dc.contributor.author Lindsay, Anne Fiona
dc.date.accessioned 2008-07-29T03:03:37Z
dc.date.accessioned 2022-10-25T02:43:21Z
dc.date.available 2008-07-29T03:03:37Z
dc.date.available 2022-10-25T02:43:21Z
dc.date.copyright 1988
dc.date.issued 1988
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/22938
dc.description.abstract Marx's thoughts on art are well known. Or are they? To be sure it is commonly enough believed that Marx showed us that there is an obvious correlation or direct communicatio between development of the productive forces of society and development in the arts and hence that artistic activity is reducible to economic productive behaviour. On the basis of this it is also believe that Marx claimed that there is a direct connection between the economic structure of capitalism with its direct ideological effects (e.g. alienated labour, commodity fetishism, illusions of equality and freedom, inversion of subject/object etc) on the one hand and works of art on the other. en_NZ
dc.language en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.subject Aesthetics en_NZ
dc.subject Realism in art en_NZ
dc.subject Subjectivity in art en_NZ
dc.title Two Modes of Understanding Art en_NZ
dc.type Text en_NZ
vuwschema.type.vuw Awarded Doctoral Thesis en_NZ
thesis.degree.discipline Philosophy en_NZ
thesis.degree.grantor Te Herenga Waka—Victoria University of Wellington en_NZ
thesis.degree.level Doctoral en_NZ
thesis.degree.name Doctor of Philosophy en_NZ


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